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‎Watch trailers, read customer and critic reviews, and buy Blade Runner (The Final Cut) directed by Ridley Scott for $14.99. The #1 Sci-Fi Film of all time! Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects. Seven different versions of Ridley Scott's 1982 American science fiction film Blade Runner. Scott did not have final cut privilege for the version released to cinemas. Ford said in 1999: 'I. Create a book Download as PDF Printable version.

Blade Runner 2049 is almost upon us — and the early reviews suggest that director Denis Villeneuve has done an excellent job adding to the world of Ridley Scott's 1982 cult favorite, Blade Runner.

Naturally, as a geek who wants to be prepared and fully hyped for such cultural events, you are considering watching (or rewatching) Scott's original Blade Runner before 2049 is released next week. And then you run straight into the brick wall of a question that has smacked many a sci-fi nerd over the years: Which original Blade Runner?

SEE ALSO: 'Blade Runner: Revelations' sends you on a neo-noir VR adventure this week

As detailed in the comprehensive and recently updated book Future Noir: The Making of Blade Runner, a total of seven versions of this seminal movie were made. Two drastically different cuts were screened for test audiences pre-release; then the release version was altered for international audiences in 1982 and for TV in 1986.

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After that we got the misnamed Blade Runner Director's Cut in 1992 and the Final Cut in 2007 — which is so optimistically titled, one suspects that somewhere on Ridley Scott's hard drive there exists BLADE_RUNNER_FINAL_FINAL_FINAL_CUT.MOV.

In terms of what you can easily watch, you basically have three options. You can't get any of them on Netflix, Hulu or Amazon Prime. You can buy or rent the 1982 release, which is available on Amazon Video (the one simply titled Blade Runner) and the download service Vudu.

Then the Director's Cut is on Amazon for $6 more than the Final Cut, also on Amazon and Vudu and YouTube Movies, and as a $27 Blu-Ray. The Final Cut is also on FandangoNOW for a special rental price of $1.99, and $5.99 to buy.

Confused yet? No wonder the co-writer of Blade Runner 2049, Michael Green, threw up his hands at the question and told io9 the best version is 'whichever you can watch tonight.'

But in the age of digital delivery, when you can watch three versions tonight, this is a glib, unsatisfying answer. You're going to drop two hours of your precious time on this film; why not take a few minutes to figure out which one is best for you?

The internet isn't much help. Amazon's reviews lump all three versions together. Same with Rotten Tomatoes, which unhelpfully gives the movie just one score — 91% — and in turn powers Apple's reviews. So if you've hit the Blade Runner wall, here's what you need to know.

1. Original flavor Blade Runner

What's different: Narration and a happy ending.

When it comes to Star Wars, our culture's consensus says the 1977 version was better than the 1997 Special Edition which added too much George Lucas tinkering. With Blade Runner, the reverse is true: according to an informal poll in Future Noir, some 70% of viewers prefer the later versions.

The main reason? The studio insisted on two additions to the 1982 release: Harrison Ford narrating some lines of Rick Deckard's thoughts in classic film noir style; the first is 'they don't advertise for killers in the newspapers.' Ford had to be dragged kicking and screaming to the voiceover studio, and some of us can really hear his reluctance. Secondly, a happy ending to the story that seemed tacked on — it's not much of a spoiler alert that Scott intended the famously dark movie to have a dark, ambiguous ending.

However, as Future Noir author Paul Sammon points out, Scott was actually in favor of the voiceover back in 1982; it gave the movie the old-time feel he was looking for. Some Deckard narration had shown up in early scripts by revered screenwriter Hampton Fancher, who fell out with Scott. And some audiences actually liked the happy ending after two hours of unrelenting grimness.

If you're among the 30% who prefers Ford's narration and a lovely green final scene to contrast all that rain, there's no shame in that.

2. The Director's Cut

What's different: The unicorn with wobbling horn.

The 1992 Director's Cut is literally and figuratively the middle child of the various Blade Runners. Despite its title, Scott did not supervise the cut, which was one of two (!) put together by editors for local art-house screenings, mostly without Scott's knowledge while he directed the movie 1492: Conquest of Paradise.

The fact that Scott signed off on calling it a 'director's' cut is down to two things: firstly, it removed the 'happy ending' scene. The movie now ended with the discovery of an origami unicorn.

Secondly, it inserted a scene that was supposed to come earlier in the movie, where Deckard falls asleep at his piano dreaming of an actual unicorn. Naturally, these two things become significant when you piece them together, and they change everything you know about Deckard. (Again, I'm trying not to spoil things for the newbies.)

For the Director's Cut, however, the unicorn scene from 1982 could not be found; just trimmed bits from the cutting room floor. These show the white stallion's polystyrene horn wobbling. Other amateur filmmaking moments also went unfixed, like a scene with out-of-sync dialogue and the wires on the police 'spinner' or flying car.

In short, you should avoid the Director's Cut — unless you really don't like the changes in the Final Cut.

3. The Final Cut

What's different:The resolution, the lighting, the lip sync and one less swear.

The 25th anniversary version from 2007 is, according to Ridley Scott, the definitive Blade Runner. We tend to agree, but not without some concerns.

Scott, you see, is of the George Lucas school. He believes directors should be allowed to return to their movies and retrofit them the way a painter might touch up a painting. He's never done anything as outrageous as when Lucas made Greedo shoot before Han, but The Final Cut walks that line.

The Final Cut is certainly the highest resolution version; you can now get it in all the glory of 4K. But seeing it in HD made Ridley Scott decide to bring up the lighting in more than a few scenes to bring out details previous audiences had missed. In doing so, he made this version literally less 'noir' than its predecessors.

The dialogue sync problem in one scene was solved by the most elaborate means you can imagine — Harrison Ford's son Ben was brought in to literally lip sync his dad's lines. His mouth was digitally stitched onto Ford senior's. For purists, this is a fix too far.

But to many minds, the most egregious tweak is in the movie's dialogue itself. In most previous versions, replicant Roy Batty (Rutger Hauer) screams at his creator 'I want more life, fucker.' The Final Cut changed this to 'I want more life, father' — just as it was changed for the TV version in 1986.

Scott tried to laugh off the swear removal: 'Must mean I'm getting older,' he said at a press roundtable quoted in Future Noir. Some fans liked it — it is metaphorically apt for the scene — while some fans saw it as as the equivalent of Greedo shooting first.

So now you have all the spoiler-free information you need to chose between the three versions. We recommend The Final Cut, which is certainly the best bargain on Amazon. But no Blade Runner is entirely free of its problems.

In any case, we're sorry if a simple decision about which version to watch has turned into a total father.

WATCH: The most anticipated movies of 2017

Seven different versions of Ridley Scott's 1982 American science fiction filmBlade Runner have been shown, either to test audiences or theatrically. The best known are the Workprint, the U.S. Theatrical Cut, the International Cut, the Director's Cut^[6] and the Final Cut. These five versions are included in both the 2007 five-disc Ultimate Collectors Edition and 2012 30th-Anniversary Collector's Edition releases. There also exists the San Diego Sneak Preview Cut, which was only shown once at a preview screening and the U.S. Broadcast Cut, which was edited for television broadcast. In the 2007 documentary Dangerous Days: The Making of Blade Runner, there is a reference to director Ridley Scott presenting an eighth version, a nearly four-hour-long 'early cut', that was shown only to studio personnel. The following is a timeline of these various versions.

Workprint prototype version (1982)[edit]

The workprint version (1982, 113 minutes) was shown to test audiences in Denver and Dallas in March 1982. It was also seen in 1990 and 1991 in Los Angeles and San Francisco as a Director's Cut without the approval of director Ridley Scott. Negative responses to the test previews led to the modifications resulting in the US theatrical version,^[7] while positive response to the showings in 1990 and 1991 pushed the studio to approve work on an official director's cut.^[8] This version was re-released as part of the five-disc Ultimate Edition in 2007 with a new transfer of the last known print in existence, with the picture and sound quality restored as much as possible. However, the result was still rough. The main differences between the Workprint and most of the other versions (in chronological order) are:

1. The opening replicant definition defining replicants as 'Synthetic human with paraphysical capabilities, having skin/flesh culture,' is not in the other four DVD versions.
2. The opening title sequence and opening crawl explaining the backstory of the replicants is not present in this version.
3. When Deckard plays the piano in a depressed stupor, there is no unicorn daydream sequence or background music (the unicorn daydream was added to the Director's Cut and the Final Cut).
4. Different, farther-away shots of Batty as Deckard watches him die are shown. Additionally, there is an alternative narration (the only narration in this version): 'I watched him die all night. It was a long, slow thing..and he fought it all the way. He never whimpered, and he never quit. He took all the time he had, as though he loved life very much. Every second of it..even the pain. Then he was dead.'
5. There is no 'happy ending'; the film ends when the elevator doors to Deckard's apartment close as he and Rachel leave.
6. There are no closing credits. The words 'The End' are simply shown as exit music plays.

San Diego sneak preview version (1982)[edit]

A San Diego sneak preview shown only once in May 1982.^[9] This version is nearly identical to the 1982 US theatrical version, except that it included three additional scenes not shown before or since, including the Final Cut version (2007).^[10]

U.S. theatrical release (1982)[edit]

The US theatrical version (1982, 116 minutes), known as the original version or Domestic Cut, was also released on Betamax and VHS in 1983.^{[citation needed]} This version remained unreleased on DVD for many years. This version (with the international cut) was re-released as part of the five-disc Ultimate Edition in 2007, presented in same video and audio transfer as the 2006 remastered Director's Cut.^{[citation needed]}

The 1982 American theatrical version released by the studio included the 'happy ending' as well as the addition of Harrison Ford's voiceover.^[6] Although several different versions of the script had included a narration of some sort, Harrison Ford, and Ridley Scott decided to add scenes to provide the information; but financiers rewrote and reinserted narration during post-production after test audience members indicated difficulty understanding the film. Scott did not have final cut privilege for the version released to cinemas.^[11] Ford said in 1999: 'I contested it mightily at the time. It was not an organic part of the film.'^[12] It has been suggested that Ford intentionally performed the voice-over badly, in the hope it would not be used,^[6] but in a 2002 interview with Playboy, he said: 'I delivered it to the best of my ability, given that I had no input. I never thought they'd use it. But I didn't try and sandbag it. It was simply bad narration.'^[13]

The 'Happy Ending' refers to the scene after Deckard and Rachael leave the apartment. Gaff spares Rachael's life, allowing her and Deckard to escape the nauseating confines of Los Angeles. They drive away into a natural landscape, and Deckard informs us that despite what Gaff had said ('It's too bad she won't live. But then again who does?'), Rachael doesn't have the built-in four-year limit to her lifespan that the other replicants have.^[14] The 'happy ending' aerial shots were also not filmed by Scott, but rather were unused aerial helicopter shots from Stanley Kubrick's The Shining which Kubrick allowed the use of.^{[citation needed]}

International theatrical release (1982)[edit]

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The International Cut (1982, 117 minutes) also known as the 'Criterion Edition' or unrated version, included three more violent action scenes than the US theatrical version. Although initially unavailable in the US and distributed in Europe, Australia and Asia via theatrical and local Warner Home Video laserdisc releases, it was later released on VHS and Criterion Collection laserdisc in North America, and re-released in 1992 as a '10th-Anniversary Edition'.^[15]HBO broadcast this version to U.S. audiences in the 1980s and 1990s and in 2015.^{[citation needed]}

It is similar to the US theatrical release but has more violence in three specific scenes which were later inserted into the Final Cut.^{[original research?]}

U.S. broadcast version (1986)[edit]

The US broadcast version (1986, 114 minutes) was the U.S. theatrical version edited by television company CBS to tone down the violence, profanity, and nudity to meet broadcasting restrictions.^[16] This version is preceded by a CBS 'Saturday Night Movie teaser' explaining the premise of the movie, making it clear that Deckard is not a replicant, and declaring 'Blade Runner: Where Love Could Be the Deadliest Sin'. In this version, the initial text crawl at the start of the movie explaining what a replicant is 'Early in the 21st Century..' is read by an anonymous announcer (not Harrison Ford).

The actual text of the opening text crawl is different from the 1982 US theatrical release:'Early in the 21st Century, robots known as Replicants were created as off-world slave labor. Identical to humans [sic], Replicants were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them. After a bloody mutiny, Replicants were declared illegal on earth. Special police squads, Blade Runner Units, had orders to shoot to kill trespassing Replicants. This was not called execution. It was called 'retirement'.

The Director's Cut (1992)[edit]

The Ridley Scott-approved Director's Cut (1992, 116 minutes)^[17] was prompted by the unauthorized 1990–1991 theatrical release of the workprint version of the movie. The Director's Cut contained significant changes from the theatrical workprint version. Scott provided extensive notes and consultation to Warner Bros., although film preservationist/restorer Michael Arick was put in charge of creating the Director's Cut.^[18]

In October 1989, Arick discovered a 70mm print of Blade Runner at the Todd-AO vaults while searching for footage for Gypsy.^[19] Some time later, the print was rediscovered by two other film preservationists at the same vault while searching for footage from The Alamo.^[20]

When the Cineplex Odeon Fairfax Theater in Los Angeles learned of this discovery, the theater management got permission from Warner Bros. to screen the print for a film festival set for May 1990. Until the screening, no one had been aware that this print was the workprint version. Owing to this surprise, Warner Bros. booked more screenings of the now-advertised 'Director's Cut' of Blade Runner in 15 American cities.^[19]

Ridley Scott publicly disowned this workprint version of the film as a 'director's cut,' citing that it was roughly edited, lacked a key scene, and the climax did not feature the score composed for the film by Vangelis. (It featured a temporary track using Jerry Goldsmith's score from Planet of the Apes.) In response to Scott's dissatisfaction, Warner Bros. pulled theatrical screenings of the workprint in some cities, though it played at the NuArt Theater in Los Angeles and the Castro Theatre in San Francisco beginning in late 1991.^[19]

In response to the sold-out screenings of the workprint (and to screenings of the theatrical cut in Houston and Washington, D.C.) and to the film's resurgent cult popularity in the early '90s, Warner Bros. decided to assemble a definitive director's cut of the film—with direction from Scott—for an official theatrical re-release in 1992.^[19]

Warner Bros. hired Arick, who was already doing consultation work for the company, to head the project with Scott. He started by spending several months in London with Les Healey, who had been the assistant editor on Blade Runner, attempting to compile a list of the changes that Scott wanted made to the film. He also received a number of suggestions/directions directly from the director himself. Three major changes were made to the original theatrical cut:^{[citation needed]}

• The removal of Deckard's 13 explanatory voice-overs.
• The insertion of a dream sequence of a unicorn running through a forest. The original sequence of the dream—showing Deckard intercut with the running unicorn—was not found in a print of sufficient quality. Arick was thus forced to use a different print that shows only the unicorn running, without any intercutting to Deckard. This unicorn scene suggests a completely different interpretation at the end of the film: Gaff's origami unicorn implies that Deckard's dreams are known to him, implying that Deckard's memories are artificial and that therefore he is a replicant of the same generation as Rachael.
• The removal of the studio-imposed 'happy ending', including some associated visuals which had originally run under the film's end-credits. This made the film end ambiguously when the elevator doors closed.

Scott has since complained that time and money constraints, along with his obligation to Thelma & Louise, kept him from retooling the film in a completely satisfactory manner. While he is happier with the 1992 release of the film than with the original theatrical version, he has never felt entirely comfortable with it as his definitive director's cut.

In 2000, Harrison Ford gave his view on the director's cut of the film, where he said that although he thought it was 'spectacular', it didn’t 'move him at all'. He gave a brief reason: 'They haven't put anything in, so it's still an exercise in design.'^[21]

The Director's Cut was made available on VHS and laserdisc in 1993 and on DVD in 1997. It was re-released in 2007 as part of the five-disc Ultimate Edition.

The original single-disc DVD released in March 1997, with both pan-and-scan and widescreen versions on different sides of the disc, was one of the first DVDs on the market. The DVD was a basic disc with mediocre video and audio quality, sourced from the 1993 laserdisc, and with no special features.

In 2006, Warner Home Video re-released the Director's Cut with remastered picture and sound quality, with the video sourced from a new 2K master and the audio sourced from a new 5.1 remix^{[citation needed]}. This was the video and audio transfer given to the theatrical, international, and director's cut versions included in the Blade Runner five-disc Ultimate Collector's Edition^{[citation needed]}.

The Final Cut (2007)[edit]

Ridley Scott's Final Cut (2007, 117 minutes), or the 25th-Anniversary Edition, briefly released by Warner Bros. theatrically on October 5, 2007, and subsequently released on DVD, HD DVD, and Blu-ray in December 2007 (UK December 3; US December 18)^[22] is the only version over which Ridley Scott had complete artistic control, as the Director's Cut production did not place Scott directly in charge.^[18] In conjunction with the Final Cut, documentary and other materials were produced for the home video releases, culminating in a five-disc 'Ultimate Collector's Edition' release by Charles de Lauzirika.^[23]

Scott found time in mid-2000 to help put together a final and definitive version of the film with restoration producer Charles de Lauzirika, which was only partially completed in mid-2001 before legal and financial issues forced a halt to the work.^[24]

After several years of legal disputes,^[25] Warner Bros. announced in 2006 that it had finally secured full distribution rights to the film, and that there would be a three-stage release of the film:

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1. A digitally remastered single-disc re-release of the 1992 director's cut was released on September 5, 2006 in the United States, on October 9, 2006 in Ireland and the UK, and in the following months in continental Europe. It contained a trailer for the final cut.
2. Ridley Scott's Final Cut of the film began a limited theatrical release in New York and Los Angeles on October 5, 2007;^[25] in Washington, D.C. at the Uptown Theatre on October 26, 2007; Chicago on November 2, 2007; in Toronto on November 9, 2007 at Theatre D Digital's Regent Theatre; Sydney, Australia at the Hayden Orpheum on November 8, 2007; Melbourne, Australia on November 15, 2007 at The Astor Theatre; Brookline at the Coolidge Corner Theater on November 16, 2007 and Austin, Texas on November 18, 2007.
3. A multi-disc box set was released on the DVD, HD DVD and Blu-ray Disc formats.^[26][27]

The set included the workprint, the two 1982 original theatrical versions (US domestic and uncensored international cuts), the 2006-remastered director's cut, the 2007 final cut (completely restored from the original negative, and put through a new director approved transfer, with 35mm footage scanned at 4K or 6K resolution depending on which type of panavision camera filmed the scene, and 65mm elements scanned at 8K resolution, and given a completely new 5.1 mix taken from the original track elements but completely restored and put through the latest audio standards)^{[citation needed]}, and several hours of bonus features.

The set was released in Europe on December 3, 2007 and in the US on December 18, 2007. Two-disc and four-disc sets were also released, containing some of the features of the five-disc set.^[28][29]

On November 10, 2008, The Final Cut premiered on the Sci-Fi Channel.

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A DVD featurette titled All Our Variant Futures profiled the making of the Final Cut version, including behind-the-scenes footage of Harrison Ford's son, Ben Ford, and the filming of new scenes for the Final Cut. According to the documentary, actress Joanna Cassidy made the suggestion to re-film Zhora's death scene while being interviewed for the Dangerous Days: Making Blade Runner documentary, and footage of her making this suggestion is inter-cut with footage of her attending the later digital recording session.

The Final Cut contains the original full-length version of the unicorn dream, which had never been in any version, and has been restored. Additionally, all of the additional violence and alternative edits from the international cut have been inserted.

The Final Cut was re-released on Ultra HD Blu-ray on September 5, 2017 (one month prior to the theatrical release of Blade Runner 2049). This release includes standard Blu-ray editions of The Final Cut along with the U.S. theatrical cut, the international cut, and the Director's Cut, as well as the Dangerous Days documentary on DVD.

References[edit]

1. ^'BLADE RUNNER'. British Board of Film Classification. May 27, 1982. Retrieved January 8, 2016.
2. ^'Blade Runner'. American Film Institute. Retrieved December 3, 2015.
3. ^'Blade Runner'. British Film Institute. Retrieved December 3, 2015.
4. ^Blade Runner – Box Office Data, DVD and Blu-ray Sales, Movie News, Cast and Crew Information, The Numbers, retrieved December 11, 2014
5. ^Blade Runner: The Final Cut (2007), Box Office Mojo, retrieved April 12, 2014
6. ^ ^abcSammon, Paul M. (1996). 'XIII. Voice-Overs, San Diego, and a New Happy Ending'. Future Noir: the Making of Blade Runner. London: Orion Media. p. 370. ISBN0-06-105314-7.
7. ^Kaplan, Fred (September 30, 2007). 'A Cult Classic, Restored Again'. New York Times. Retrieved January 21, 2008.
8. ^Bukatman, p. 37
9. ^Sammon, pp. 306 and 309–311
10. ^'7. US San Diego Sneak Preview (115 min) (Blade Runner Verainm)'. stason.org. Retrieved July 5, 2018.
11. ^Levine, Nick (September 13, 2016). 'Like Ridley Scott, the director of 'Blade Runner 2' does not have final cut'. NME. Retrieved October 22, 2017.
12. ^'Harrison Ford's Blade Runner Gripe'. Empire. September 7, 1999. Retrieved February 22, 2007.
13. ^Fleming, Michael. 'The Playboy Interview'. Playboy Magazine. Archived from the original on October 12, 2007. Retrieved February 22, 2007.
14. ^'Blade Runner: What's Up With the Ending?'. www.shmoop.com. Retrieved May 21, 2017.
15. ^Sammon, pp. 326–329
16. ^Sammon, pp. 407–408 and 432
17. ^Ebert, Roger (September 12, 1992), 'Blade Runner: Director's Cut', rogerebert.com, retrieved December 7, 2018
18. ^ ^abSammon, pp. 353, 365
19. ^ ^abcdTuran, Kenneth (2006). 'Now in Theaters Everywhere: A Celebration of a Certain Kind of Blockbuster' (pp. 15-17). New York City: PublicAffairs. ISBN1-58648-395-1
20. ^Kolb, William W. (1997). 'Retrofitting Blade Runner' (p. 294). University of Wisconsin Press: . ISBN0-87972-509-5
21. ^Kennedy, Colin (November 2000). 'And beneath lies, the truth'. Empire (137): 76.
22. ^Blade Runner: The Final Cut. The Digital Bits, Inc. Archived from the original on November 16, 2007. Retrieved November 24, 2007.
23. ^Hunt, Bill (December 12, 2007). Blade Runner: The Final Cut – All Versions. The Digital Bits, Inc. Archived from the original on December 10, 2007. Retrieved December 9, 2007.
24. ^''Blade Runner' Countdown, By Kurt Loder - Movie News Story'. MTV Movie News. Retrieved November 7, 2018.
25. ^ ^abKaplan, Fred (September 30, 2007). 'Blade Runner: The Final Cut - Movies - New York Times'. The New York Times. Retrieved November 24, 2007.
26. ^''Blade Runner Special Edition News and Views', brmovie.com, Feb. 2, 2006'. Retrieved July 27, 2007.
27. ^'Blade Runner Final Cut Due', SciFi Wire, May 26, 2006'. Archived from the original on June 26, 2007. Retrieved July 27, 2007.
28. ^'BLADE RUNNER: THE FINAL CUT'. Archived from the original on October 12, 2007. Retrieved October 4, 2007.
29. ^'My Two Cents - Archived Posts (7/25/07 - 6/28/07)'. Archived from the original on October 2, 2007. Retrieved October 4, 2007.

External links[edit]

• 'Do Filmgoers Dream of Director's Cuts?' SciFi.com article detailing the various cuts of the film.